Within a week of its discovery in Indonesia, the brain-colonizing affliction spreads around the globe, causing chaos, violence, the collapse of society, and the demise of the vast majority of the human race. In the show’s alternate-reality 2003, climate change catalyzes a mutation in the terrifying Cordyceps fungus that allows it to take over the human body, essentially transforming its victims into deadly zombies. The plot is a pastiche of familiar post-apocalyptic survival narratives, though not one that too closely resembles any particular predecessor. But it also asks viewers to absorb a whole lot of human misery without saying much that we haven’t already heard in similar shows. From the performances to the storytelling to the aesthetic elements, it’s an exquisitely made adaptation. Based on the acclaimed video game franchise and created by the game’s mastermind, Neil Druckmann, and Chernobylcreator Craig Mazin, the show is by turns gorgeous and harrowing, brutal and warm. And while almost all of the action in The Last of Us takes place halfway around the world from Indonesia, in the United States, the professor’s lethal prescription sets the tone for a story whose characters are constantly forced to choose between protecting themselves and their loved ones, and making existential sacrifices for the good of a plague-ravaged society. 15, whose predominant moods are tense, mournful, and unnerving. It’s one of many chilling moments in a series, premiering Jan.
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